真的有被雷到！

These are just three of the aberrant inhabitants in Almodovar's early '80s Madrid, a depraved, soap-operatic world of street queens, exiled princes, transvestite punks, artificial-insemination doctors, sensitive nymphos, mourning psychos and angry terrorists, who are enjoying (or desperately trying to enjoy) a tiny golden period of sexual adventurousness between the dissolution of Franco's authoritarian regime and the onset of AIDS consciousness.
（上文提到的）這只是屬於阿爾莫多瓦的80年代早期的馬德里。它成了一個頹廢、肥皂劇般的社會，裝載著落迫街頭的皇后、流亡的王子、易裝癖朋克分子、人工受精醫生、神經質的慕男狂、哀怨的心理醫生和怒氣衝天的恐怖份子。他們都在享受著，或者說不顧一切地享受著，那段弗朗哥專政統治時期後和愛滋病意識來襲前的那段短暫但寶貴的性愛探索旅程。

In light of Almodovar's subsequent, more assured works, from "Law of Desire" to "Women on the Verge of a Nervous Breakdown," "Labyrinth" comes across as mere rehearsal. But for the right crowd, in the right frame of mind, this movie has more than its share of funny, even poignant moments.
從阿爾莫多瓦後來更有把握的作品來看，此片僅僅是一次預演。但是倘若遇到合乎口味的觀眾，合乎口味的觀念，這部電影就不會僅僅是亂搞，甚至有那麼一些令人心醉的時刻。

http://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/labyrinthofpassionnrhowe_a0b265.htm